Subway Blues - Reviewed in Guitar Player Sep 97.
> I've got the Subway Blues:
Dyna-Watt Power: is this some sort of power attenuation before the output transformer?
> Don't think it's a power attenuation. Mesa's brochure describes it as "touch-sensitive dynamic punch... stored energy that is released like a camera flash, controlled by your pick" Think it is some sort of pseudo-class-A response, without being class A.
Is there a 1/2 power switch or 1/2 power jack (for power-stage saturation at 10 watts)? Perhaps just on early units?
> It's a 1/2 power jack. There's 2 4-ohm jacks, 1 8-ohm jack, and 1 1/2-power jack. The 1/2 power feature came in later models, and it's only on the Subway Blues model, not the Subway Rocket.
Direct Recording output with cab-sim filter -- is the cab-sim filter switchable in/out?
> Not sure if there is a cab-sim filter or not. But there's no switch to turn it on or off regardless.
The web site says it's a "fully tweaked output".
Speaker Mute: I assume this is a dummy load. Is it resistive, or reactive?
> Not sure about the speaker mute. The user manual says you don't need to have a speaker load connected when the speaker is muted.
Someone else said that it is not a dummy load; rather, the power amp is essentially placed on standby and the Rec Out is a processed preamp out signal, which seems bogus. My position on awesome sounding preamps is that preamp sound is just preamp sound, no matter how great, and would always sound greater run through a tube power amp and guitar speaker as well. All the wonderful progress in faking amp breakup sound fails to produce the best possible sound, but the good thing is that, when such tweaked technology is combined with a tube power amp and hard-driven speaker, we'll get really great sound. Progress is preamp sound is important, but including a tube power amp is more important still.
Headphone Out: does this double as the Line Out/recording jack? Is there some sort of power attenuation before this?
> There's no headphone out on the Subway Blues, it's only on the Subway Rocket, so I'm not sure about it, but believe it shares the same jack as the line out recording jack on the rocket.
> Hope that answer some of your questions. I'm in the recording studio now, and the direct-record is a god-send and sounds fantastic to tape! My regular amp is a Blue Angel for gigs, but that doesn't have record out on it, so I use the Subway Blues in the studio. BTW, I LOVE the Subway Blues, and think it's a great sounding amp that I'm never ever going to sell!
The Blue Angel appears to be exactly what I'm looking for in extremely round, smooth power-stage saturation tone, when used at its lowest power setting. No other Boogie can saturate at a lower wattage than the Blue Angel. (My list of under-20-watt tube amps has some discussion about power-cutting options on Boogies: http://www.amptone.com/g046.htm.)
> Even though I love my Subway Blues and am somewhat of a tube-amp-snob, I ordered a Line 6 POD to add some more flexibility in the recording studio.
Sure, I like flexibility and various combinations of the best technologies. I'm particularly looking forward to a convergence of amp-modelling technology and actual tube amp technology. People seem so confused by this concept, but of course the idea here is using an actual tube amp to emulate *other* tube amps. It's reasonable to assume that if your goal is to simulate 10 classic tube amps, you'll get closer by starting with a tube amp than with a solid-state amp.
Official page for the Subway amp line
Official product page for Subway Blues
User Manual (.pdf) for Subway Blues
Official product page for Subway Reverb Rocket
User Manual (.pdf) for Subway Reverb Rocket
$370 floor demo
Subway Rocket Reverb:
Subway Rocket head:
[Also: Studio Caliber: 25 watt, fx loop, Record Out, 12" spk. $650 list. Head $600 list.]
Harmony Central: User comments about Subway Blues - excerpts:
It comes with two inputs: bright and fat. I only use the bright input, but using the two together gives you the "half power jack": overdrive at half volume. Too bad they made it a one input with a switch on the later models. It breaks up nicely on higher volumes. Perfect for a club gigs. The Subway is very simple to use, yet is quite versatile. The amp has five controls (volume, bass, middle, treble, and reverb) with a fat/bright switch that comes in handy when switching guitars. It also has an effects loop w/ an adjustable level, mute switch while plugging the amp directly into a mixing console or whatever. There is no master volume. You can get all the distortion you would ever need for blues and rock You CANNOT get distortion at lower levels w/out a pedal. But when you crank it up, it provides good overdriven power tube distortion w/ lots of sustain and pleasant harmonic feedback. Has a fantastic clean to bluesy vibe that makes me play at my best. It is very loud, I play in a 5 piece country rock band in small to medium clubs, and have never had it up past 1/2. Never had to mike it either. Simple to operate and get a great tone from. I use a modified TS-5 on the front end that sounds great with it. Turn up about 1/2 way, control everything from your guitar volume knob. Plug it into a 2-10 ext. cab for maximum sound coverage. This amp has, for me, the very cool feature of a half power jack [switch?] in the back! This gives you a 10 watt tone box! now you CAN crank it without neighbor irritating volume, getting that last part of the tone puzzle, namely the saturation of the power tubes! Wish it had a headphone jack, for sure, what a blast that would be to have! I'm attracted to the blues. I got rid of those grainy Chinese tubes, and have used both the 5751 preamp tubes, and Telefunken...Sovtek EL84's sofar for the power tubes. This went a long way to remove a lot of that inherent Mesa Boogie "nervousness" Amp become much more refined, and soulful, for sure. This little amp will definitely distort under right se ttings. Great clean channel. Really great reverb, especially after switching to the Telefunken tube to drive it! Amp is nicely touch sensititve and dynamically responsive. Small speaker, small box, open back... back amp into a corner to enhance the bottom end performance. Background noisy when cranked flat out. Too bad! It's a budget Boogie, but it doesn't lack the 'essentials'. Vol, Treble, Mid & Bass controls, parallel FX loop with mix control, direct out for recording/PA, 4&8 ohm speaker outs, and probably the best verb I've heard on a Boogie. I doesn't have separate channels, but it does sport two inputs, a Bright one and a Fat one, which do color the tone, but I use the bright exclusively. The power is a LOUD 20W that breaks up pretty nicely, but not nice enough to do without an OD box. the 10" speaker sounds fine for low volumes, but a seales 2x12" cabinet is a nicer gigging set-up. Warm enough for blues with the right OD box. Jangly enough for strummin' Rickenbacker fans. Does sing really well when pushed into drive for Santna-ish stuff. Not a Fender clone. More Vox-like than Fendery. It doesn't have built-in OD, but it gets along with various distortion boxes I've tried, like a Fat Cat, a DS-1, and my old TS-9. All work well. It breaks up around 2 o'clock, but I don't recommend that as your 'sound'. Not too smooth. The verb is lush and deep. Nice, long tank. The main competition was the Ampeg JT 'reissue' which sounded great, but was too much like a Fender I have, and lacked key features, like extra speaker outs. I thought the amp sounded a bit like a Fender Deluxe Reverb at higher volume levels, but I only had the Subway Blues set to 9 o'clock! A great "foundation" amp, put a distortion pedal out front if you need more crunch and use the FX loop and you've got a great combination suitable for a lot of sounds. Great for that Tom Petty twangy/grunge mode! I think the amp is incredibly loud for a 20 watt combo. As I said before, I had it at nine o'clock with a Les Paul Studio. Nice overdrive/breakup, but definitely not a "headbanger/thrash amp". Some people think the Mesa Subway series are a bit boxy and a tad harsh in the midrange category. I tend to love those cranked VOX AC-30 sounds so I kinda dig this I think it would work well at a gig if it was miked or fed to the PA. I just worry about little amps being pushed too hard at super-high volumes for a long period of time. Compared to others in the price range, the Subway Blues sounds like "something". Like a little version of a classic amp like an AC-30, or like an old Twin Reverb or Deluxe. It does not have that cheesy bedroom amp sound, I think you could fool a lot of people if you used it to record. It's really a toss-up between the Subway Blues, and the Subway Rocket, they both have their merits, and are alot of fun!
User comments about Subway Rocket combo
User comments about Subway Rocket head
User comments about Subway Reverb Rocket
Excerpts from the Rocket user comments pages:
Excellent hard rock/metal distortion, mediocre clean tone. Intolerable level of hiss, especially in the clean channel (!). No amount of preamp tube substitution eliminated this hiss. The amp is great for rock! I don't think it would be that great for blues, country ect. But perfect for rock. It has 3 Channels(Rhythm,Lead,Contour) The Rhythm is a clean section it does not get very distorted. Lead is a distorted channel with great tones and I believe contour is just a louder version of the lead section. Each Rhythm and Lead come with their own "gain" and "volume" knobs. The other knobs for all 3 channels include Presence, middle, treble, and bass. The back panel has a return and send jacks plus headphone jack, speaker mute and 4ohm and one 8. I use a Ibanez Rg 470 and a Gibson Les Paul studio with this amp and it sounds awesome! I feel this amp was made for distortion. I mean you can get a good clean sound out of it. But I have heard better clean amps. Now for noise wise, I would love to say its completely quiet. But its not, its fairly quiet. If you crank it up to around 7 you get some hum but not a lot. I mainly use the amp in my room, or with little jams with friends, so I don't really need anything more powerful. Great features. The distortion, especially the contour mode is great for any kind of punk, or alternative sounds, but for playing metal(which I don't) I would probably want to go with a metal zone, or some other pedal, because the distortion is very smooth, and not extremely brutal. I also have a Marshall 8020 little combo, that has very brutal distortion compared to this one, so maybe that's why I found this distortion to be so smooth. I love the great distortion on the amp, and the fact that it isn't too loud. Is that if you're looking for great, smooth distortion, for punk, alternative, or rock, this is your amp. I play classic rock and metal and it can handle clean tones very well also. It has a Rhythm (clean) and a Lead (crunch) channel with a contour option that I can't see a reaon to play without. It has a headphone jack (not top notch, but adequate for demos or scratch tracks), effects loop with a blend/mix control (thank you!), and a silent recording feature (see headphone jack) which I also ran direct to the board at a gig and, blended with the signal from its 10" speaker and a 1x12" recto cab, it sounded phenomenal. It has plenty of power even though its only 20 watts, but they're BOOGIE WATTS mind you. It breaks up quite evenly and at a low volume, I might add. You get that elusive mid range frequency, from cranking to 10, at low volumes like a built-in power soak. I have had no problems with it being noisy. The amp's clean tone is beautiful and you can vary the gain amount to emulate a Stones tone quite easily. The distortion is ungodly. It sounds like a stack, even though it only has a 10" speaker. The crunch on the Subway Rocket is much more powerful than the DC-2....it just sounds like a Dual Rectifier in a 20 watt amp! I cannot quit getting different tones out of this amp...however subtle they may be. I just am massaged by the tone of this professional amp, and it is so cool to be able to go from a glassy clean ( 80-85% Fenderish ) to Vox-like( think quiet AC-30 at full blast with P-90s, but at bedroom/studio/small gig volumes). Now the "Contour" channel, with it's deadly grind....undescribable ( think Sabbath ) I just wanted to update anyone who was considering the Subway Rocket for a practice/recording/small gigging amplifier...larger venues with a PA. MESA/Boogie states how careful they are ( as a result of 25 years of handbuilt experience) to construct their amps with such exacting standards that each one can capture " the Magic ", as they refer to it. The amp is very rockish and blues tinged. I love it cause it sounds great even when it is not turned real loud. The amp can get very loud. If it is on the highest setting the amp starts to shake. The distortion can get pretty brutal. But you can turn it all the way off too. It features "DynaWatt" tm power circuitry, which acts as a storage reservoir for transient peak output when played hard. It has a "rhythm", "lead", and "contour" channel, all of which have a gain and master volume controls. Preamp is 4x12ax7s, and power is 2xEL-84s. Speaker is 50 watt Vintage Black Shadow in open back design. Parallel FX loop with adjustable mix control. Silent speaker switch. Direct line out jack.Headphone jack. This amp will go from a sparkling clean to Class A overdrive in the "rhythm" mode, and the "contour" channel produces a grind similar to a Dual Rectifier....it is simply brutal. There is barely a sound that I cannot get out of this amp, especially with tweaking the guitar's volume amd amp settings. This amp's best tones are not at full throttle, and no one will miss this sonic level capable of this amp when they are practicing or recording. It is listed as a professional recording amplifier. Since this amp is being discontinued in favor of the new Subway Rocket Reverb ( with an internal digital reverb circuit ), I will hold on to this amp forever. Remember: Led-Zeppelin 1 was recorded entirely using a little Supro amp The distortion channel has two modes that are voiced drastically different which effectively make this a three channel amp. All three modes are footswitchable but they share the same EQ and presence controls. There is a paralell effects loop and a recording/headphone out. The back panel of the amp has a mute switch that allows you to record silently. The amp is beautifully built and its construction really puts others in its power class to shame. Several other features would be nice such as reverb and independent EQ controls for each channel. The amp is pretty darn loud. Also this is one of those amps that gets loud quickly - that is with the master on 2 it is already getting into loud. In fact, there really isn't much volume difference between 5 and 10, just power amp saturation. Unlike other reviewers, I don't find the amp to be noisy or "hissy" at all. First the clean channel - very nice. This amp has a supris ing amount of headroom and the EQ shapes this channel very well. By combining high preamp settings, extra midrange and liberal amounts of master volume, you can get it to break up nicely if that's what you want. The distortion channel has 2 modes - "lead" and "contour". I have to admit to being disappointed in the lead mode. Its low end is weaker and the mids are boosted. In theory, this mode could be a really useful alternative. Unfortunately, it is really hard to coax a good rythym tone out of this channel. The mids are very congested and no matter how much tweaking I try, I can't seem to bring it around. Luckily this amp has the contour mode. In the contour mode this amp simply wails. It is amazing that such a small combo can put out such a big sound. The contour mode is designed around more of a "scooped" EQ. The bass and treble are boosted but not to oblivion. This mode has tons of gain (as does the lead mode). I tend like like heavier, harder-edged music, and this amp will really gets the job done. It excells at cranking out dropped-D power chords. The 10 inch speaker can even handle lower tunings. Chords retain lots of clarity through the distortion. Each guitar retains its own personality through the amp. In the contour mode I don't really miss reverb. Its tight crunch sounds great (probably better) dry. Overall, the clean channel and the contour mode give me everything I could ever expect from such a small amp. Given that the lead mode is not very useable, the amp is not as versatile as it was designed to be. However I have tried several distortion boxes in the clean channel (for different flavors) and have found that this channel really works well with them. The EQ in the clean channel is very effective and lets you shape the tones to achieve a lot of different sounds. Even though the lead channel is not very useable, the sound of this amp still deserves a great rating. NO amplifier can do everything well and I didn't expect a 20-watter to. I compared this amp to the Marshall JMP-30, the fender Hot Rod DeVille, the ampeg reverb-o-rocket, little laneys, peaveys, crates... All of them had something to offer, and some of them do some things better than the Boogie. But the bottom line was that this amp's best sounds just seemed to be of a higher quality than the other amp's best sounds. Three channel (clean, lead, contour) all tube (sans rectifier) amp; includes switching pedal. Send / return loop. Headphone / recording jack. I was looking for a small amp with great tone. This was it. It's sufficiently loud for small gigs, but more importantly, when you have to play at low volumes at home, the tone stays great. I play blues and rock. It's awesome for this. But the hiss! Man, it's bad. Even with my strat in the in between positions. Maybe there's a grounding problem as I don't remember the hiss being this bad in the store. Ignoring the hiss, both clean and distorted sounds are much better than my Peavey Classic 30 and Fender Stage 112SE. The sounds are not as "full" as my Fender Blues DeVille. But can you really compare a 1x10 unit with a 4x10? I would buy it again. I love the tones. The tones are what matter. It blows away the Peavey Classic 30, and I can really can hear a big difference between my solid-state Fender unit and the Boogie. Also a really cool feature on this amp is the fact that you can use the volume control on your guitar to control how dirty the signal is. On my other amps, when you crank up the guitar volume the signal gets both dirty and much louder. On the Boogie, cranking up the volume from 7-10 makes the amp go from clean to dirty without much of an increase in loudness. The amp has two channels, clean and dirty with shared EQ. The clean is a Fendery, with less complexity and shimmer than a 60's blackface Super. The dirty channel is more for rock than blues. It's got a parallel effects loop I didn't try. The "Contour" switch lets one choose between a very midrangey, almost howling sound on the drive channel, and a deeper one with much more low end authority and less congested mids and h ighs. The amp seems reasonably loud for a two EL84 equipped amp. It's just light enough to carry it with a guitar on a suway to gig without calling a chiropractor. It gets nice, Boogie-ish clean tones. Good, but not great headroom, Fender derived, like most Boogie clean sounds. Fine for my purposes, but probably lacking for those raised on blakface Twins and Deluxes. What really bugged me in the store was that the amp, even on clean, seemed unusually noisy on single coil settings. Humbuckers, and in between settings with a reverse wound type middle single coil nuked this noise very well. Maybe it was the lights, but it still worried me. I guess one would have to A/B it clean with several other amps. Other than the good clean sounds, its lead channel gets a nice range of overdriven tones, that are best described as Boogie-voiced Marshall tones, though not quite an gnarly as the Dual Rectifiers. The Rocket's dirt is aggressive, and packs authority, but it has the rich midrange common to almost all Boogies. Y'know, rich, but perhaps leaning a bit too much in the butter side instead of the "guns"? I liked the lowest setting of the contour switch, with it's full range of bass, and less congested mids. I'm guessing the switch in part switches between a smaller .47, .68, or 1 uf cap around the cathodes for the mid boosted tones, and a 10 to 22 uf cap for the deeper tones in the low position. The mid setting seems like a poor attempt to imitate a Marshall, or a slightly better attempt to do the mids-boosted-by-wah pedal thing. It's a useable voice, not terrible at all, just not as good as other amps with an upper midrange character I've heard. I grooved on the lowest setting, and the 10" speaker did a good job of blasting out this girthy grind. I can only imagine how much better it would sound thru a 2-12 or 4-12 cab. It's voiced more for rock than blues, but the tones are rich enough to do some Clapton lines with the gain set between 4 and 6. At higher gain settings it still retains a lot of articulation of individual n otes. Though nice and crunchy, the individual notes of power chords each came shining thru, each enveloped by the unmistakeable tubey warmth. Each voice seemed balanced with the others. The overdrive is very good for rock-thick, with rich harmonics, not too harsh (like a bad Trem-o-verb I once tried). Best of all, the lead voice packs AUTHORITY. Not VHT Pittbull, but for $500, it's very, very good. I'll have to compare it the Soldano's Atomic 16 when that gets here. It seems to have better, more complex grind that Peavey's Classic 20, and 30. Not as mushy, not as vintagey. The clean tones also seem to have a slight edge- more high end luster than the Peavey. I wish Mesa could make their midrangey voice a bit less harsh, with a wee bit more low end. Perhaps listening to live shows by Shawn Lane and Eric Johnson would help, if they wanted a smoother mid tone. I don't know if that noise was due to the environment I played it in, or compromises made by Mesa getting the Rocket to market at $499. But if it's the latter, I hope they can fix it and still keep the price down. Rhythm and Lead channel - indepent gain and master volume for each; but only one set of EQ/contour knobs. As our band draws from a wide variety of influences, I needed a versatile amp. The clean channel breaks up nicely; I use a volume pedal live. At lower volumes the sound is nice and clear, but at full volume it crunches nicely. The distortion is smooth and rich. A "contour" switch dramatically boosts the midrange; it cuts through well for loud solos w/o altering the tone too much. A great deal for the cash! It kicks well for a 20-watt combo. Very portable; it suits well as a practice amp; I mic it with an SM57 and use it for our live shows also. The Mesa/Boogie Subway Rocket combo with reverb is the newest rendition of the 20 watt Subway Rocket, with Reverb. The reverb's not that great compared to the great all-time tube reverbs, but it's OK, and I have to have my reverb! It's really a one channel amp but has 3 footswitchable sounds. There's the ' clean' set up and then there's the overdriven setup with the associated 'contour' switch. I use it for classic and retro rock and it fits the bill. There's an adjustable effects loop and a mute switch for silent recording. The only item I'd like to see on it as well as almost every other amp I own is a good Fender style tremelo curcuit. I use the amp to work out material at home and it's a fine amp for rehearsing, recording, and smaller gigs. It's a loud 20 watts but you won't mistake it for a 100 watt Marshall. If you're going to mike your amp through a PA system this is all the amp you're going to need. The amp is pretty versatile. The clean sound is pretty useable. It's not a Fender but it is good. You can dial in enough gain to get a good 'blusey' tone in either channel for that dirt when you really dig into the strings or crank the instrument volume pots, and the overdrive channel has one of the best liquid Boogie tones I've heard to date. Kicking in the contour switch drastically changes the tonal response. It generates more of ...everything. There's some serious, drastic tone shaping happening here and I like it! I use Fender Strats and Hamers with single coils, P-90's and mini-buckers. It works for all of these axes. This amp is a little on the noisy side. I'm sure the sc's and P-90's contribute here...:-) The 10" speaker is deceiving. It has bottom end and really moves air. You'd think it was a 12" if you didn'y know the specs. Something to think about: A 44 watt version of this amp is on its way. It should be a real good one with plenty of gigging power. I also have a Fender Super Reverb and a Rivera R55/112. I've owned a lot more than this over the long haul.I like the Boogie. It's EZ to transport and EZ to dial in. I was looking for a small amp to use at home. I like to leave the Rivera at the rehearsal studio. The Fender is in the middle of a restoration. This was the best ampI could find there in this price range. Price range included, this was the one I choose. I like it. I wind up using it more than I expected I would. I want to hear the new 44 watt version! Something tells me I'm going to lust for this tone and the extra watts. Another 3db of power should make it loud enough for all but the largest rooms, (stadium-arena venues) on it's own two feet. The Mesa/Boogie Subway Rocket head is incredibly versatile. I think the clean sound works well. However, this amp is my overdrive choice. I sold my MXR dist +, and my Fulldrive 2, because I love the overdrive/distortion this head has. I alternate between a Matchless 2X12 open back Cabinet, and a Marshall 1965A 4X10 closed back Cabinet. I play blues and rock and this is best suited to it.
DejaNews query: boogie and subway
Messages 1-100 of about 500 matches for search boogie subway:
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Damron 38. 98/08/11 029 mesa boogie empty small box alt.guitar.amps tanawana 39. 98/08/11 029 Re: Good amp for apartment d alt.guitar Shafner 40. 98/06/26 029 Re: Best Blues Amp alt.guitar.amps Polfus 41. 98/06/25 029 Re: Best Blues Amp alt.guitar.amps Tremolux 42. 98/06/25 029 Re: Best Blues Amp alt.guitar.amps Gil Ayan 43. 98/05/24 029 FS: Mesa Boogie transformers alt.guitar.amps heretic1 44. 98/05/06 029 Re: Best 12AX7 for MesaBoogi alt.guitar.amps Zzlacc 45. 98/12/17 028 Re: 7 watt tube amp design i alt.guitar.amps Chris Gieseke 46. 98/12/16 028 Re: 7 watt tube amp design i alt.guitar.amps Chris Gieseke 47. 98/12/16 028 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 48. 98/12/16 028 Re: 7 watt tube amp design i alt.guitar.amps Chris Gieseke 49. 98/12/16 028 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 50. 98/12/05 028 Re: mesa question alt.guitar.amps Nick V. Flor 51. 98/09/01 028 Re: are there any mesa/boogi alt.guitar fretmeister 52. 98/08/26 028 Re: Mesa 40 watt Subway Rock alt.guitar.amps Sonny 53. 98/06/26 028 Re: Best Blues Amp alt.guitar.amps Rich 54. 98/06/05 028 Re: Help with tube vs. solid alt.guitar.amps Mark J. Rosen 55. 98/04/07 028 Re: Mesa Boogie DC2 or Subwa alt.guitar.amps Sonny 56. 98/04/06 028 resonance in Boogie alt.guitar.amps Howard N Ingerm 57. 98/12/22 027 Re: Pawn Shop Microphone#2/2 alt.music.4-track Chris Gieseke 58. 98/12/21 027 Re: Mesa Boog. Problem (Disr alt.guitar.amps Galadriel 59. 98/12/09 027 Re: Looking for a "Crunchy" alt.guitar Ryan T. Eberly 60. 98/12/03 027 Re: Why Can't Fender Princet alt.guitar.amps Polfus 61. 98/12/02 027 Re: Best amp ? alt.guitar Polfus 62. 98/11/15 027 Re: Amp Question #2/2 alt.guitar Patrick F. Cole 63. 98/11/11 027 Re: Small Tube Amp recommend alt.guitar.amps lholland 64. 98/11/01 027 Re: Ampeg reissues alt.guitar.amps Zorro 65. 98/10/20 027 Amp Question rec.music.makers.guit pietrzak 66. 98/10/07 027 In Search of Tone alt.guitar Todd Leach 67. 98/09/16 027 Re: Best Amp with Epiphone L alt.guitar.amps BB6STRING 68. 98/07/13 027 Small amp that stays clean alt.guitar.amps Ednovak 69. 98/12/15 026 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 70. 98/12/15 026 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 71. 98/12/15 026 Re: 7 watt tube amp design i alt.guitar.amps Michael 72. 98/12/15 026 Re: 7 watt tube amp design i alt.guitar.amps Adam Jones 73. 98/11/24 026 Re: Mesa/Boogie Lovers/Hater alt.guitar.amps NAME 74. 98/11/23 026 Re: Mesa/Boogie Lovers/Hater alt.guitar.amps Richard 75. 98/11/21 026 Re: solid state amp modifica alt.guitar Zorro_2K 76. 98/11/15 026 Re: Amp Question alt.guitar Zorro_2K 77. 98/10/09 026 Re: In Search of Tone alt.guitar Ron Taxer 78. 98/09/26 026 Re: VHT Pittbull 45 question alt.guitar.amps Nick V. Flor 79. 98/08/30 026 Re: Tube amp for home practi alt.guitar fretmeister 80. 98/08/10 026 Re: Good amp for apartment d alt.guitar Shafner 81. 98/07/23 026 Re: Small amp that stays cle alt.guitar.amps Norm Berube 82. 98/06/26 026 Re: Best Blues Amp alt.guitar.amps Gil Ayan 83. 98/06/26 026 Re: Best Blues Amp alt.guitar.amps kolanus 84. 98/06/02 026 Re: Mesa/Boogie Subway Rocke alt.guitar.amps John Kuzemka 85. 98/11/09 025 Review: Way Huge AquaPus#2/2 rec.music.makers.guit Polfus 86. 98/10/01 025 Re: Effects solution? rec.music.makers.guit Not A Speck Of 87. 98/10/01 025 Re: Effects solution? rec.music.makers.guit Matthew Ivaliot 88. 98/09/18 025 Re: Best Amp with Epiphone L alt.guitar.amps Stephen Keay 89. 98/09/01 025 Re: are there any mesa/boogi alt.guitar fretmeister 90. 98/09/01 025 Re: are there any mesa/boogi alt.guitar Ross M Stites 91. 98/12/16 024 Your Amp History? alt.guitar.amps Rob Caton 92. 98/12/16 024 Re: Clueless Dad seeking amp alt.guitar.amps Galadriel 93. 98/12/16 024 Re: Your Amp History? alt.guitar.amps rousm 94. 98/12/16 024 Re: Your Amp History? alt.guitar.amps flood 95. 98/12/15 024 Re: 7 watt tube amp design i alt.guitar.amps Rob Nelson 96. 98/09/02 024 Re: How to get a good distor alt.guitar Tiptop3313 97. 98/08/31 024 Re: Tube amp for home practi alt.guitar NSR 98. 98/05/30 024 Re: Amp question alt.guitar.effects jeffjean 99. 98/10/27 023 Re: Amp emulators, speak#3/3 alt.music.4-track Chris Gieseke 100. 98/10/21 023 Re: Amp Question rec.music.makers.guit Mark Garvin
DejaNews query: boogie and rocket
Messages 1-100 of about 400 matches for search boogie rocket:
Date Scr Subject Newsgroup Author 1. 98/12/30 035 For sale: Mesa Boogie Subway alt.guitar Mike 2. 98/12/25 035 Re: For Sale: Mesa Boogie Su alt.guitar.amps Mike 3. 98/12/25 033 For Sale: Mesa Boogie Subway alt.guitar.amps Mike 4. 99/01/04 032 Re: Amp Choices??? alt.guitar.amps guava-juice 5. 98/12/26 032 For Sale: Mesa Boogie Amp alt.guitar Mike 6. 98/04/24 032 Boogie Rocket, Boogie Blues alt.guitar.amps MoUsSe 7. 98/12/02 031 Re: Boogie tone alt.guitar.amps Polfus 8. 98/09/26 031 Mesa Boogie: Subway Rocket v alt.guitar.amps Jonathan Brown 9. 98/04/07 031 Mesa Boogie DC2 or Subway Ro alt.guitar.amps Mark J. Rosen 10. 98/04/07 031 Mesa Boogie DC2 or Subway Ro alt.guitar Mark J. Rosen 11. 98/04/07 031 Re: Mesa Boogie DC2 or Subwa alt.guitar.amps MWS2468 12. 98/12/26 030 Re: For Sale: Mesa Boogie Am alt.guitar MikeyJake 13. 98/12/06 030 Re: mesa question alt.guitar.amps Polfus 14. 98/08/27 030 Re: Mesa 40 watt Subway Rock alt.guitar.amps David Swanger 15. 98/08/11 030 mesa boogie empty small box alt.guitar.amps tanawana 16. 98/12/21 029 Mesa Boog. Problem (Disregar alt.guitar.amps Mike 17. 98/12/16 029 Re: The worst amp in the wor alt.guitar.amps David Swanger 18. 98/12/06 029 Re: mesa question alt.guitar.amps M P Gilbert 19. 98/12/04 029 Re: Boogie tone alt.guitar.amps Sonic Surgery 20. 98/12/03 029 Re: Why Can't Fender Princet alt.guitar.amps Tonefactor 21. 98/12/01 029 Re: Best Amp for $500 or Les alt.guitar Greg Jones 22. 98/12/01 029 Re: Best Amp for $500 or Les alt.guitar Polfus 23. 98/11/17 029 Replacement speakers alt.guitar.amps "d" <d at d.com> 24. 98/10/28 029 Mesa Boogie Subway Rocket alt.guitar Greg Jones 25. 98/10/28 029 Re: Mesa Boogie Subway Rocke rec.music.makers.guit Polfus 26. 98/10/14 029 Re: Slash's tone on "sweet c alt.guitar John Huff 27. 98/09/24 029 Re: need a small 15 watt max alt.guitar.amps BB6STRING 28. 98/08/27 029 Re: are there any mesa/boogi alt.guitar C.D. Damron 29. 98/08/26 029 Re: Mesa 40 watt Subway Rock alt.guitar.amps Sonny 30. 98/04/07 029 Re: Mesa Boogie DC2 or Subwa alt.guitar.amps Sonny 31. 98/04/04 029 WTD: Used Mesa Boogie alt.guitar.amps rocket 32. 98/12/05 028 Re: mesa question alt.guitar.amps Nick V. Flor 33. 98/11/20 028 Re: Amps influence on sound rec.music.makers.guit Greg Jones 34. 98/10/14 028 Re: Slash's tone on "sweet c alt.guitar aschuwer 35. 98/10/14 028 Re: Slash's tone on "sweet c alt.guitar Jonathan Krogh 36. 98/09/24 028 Re: Mesa Boogie alt.guitar.amps BB6STRING 37. 98/06/11 028 Re: Question about amp watts alt.guitar Shawn Robinson 38. 98/06/05 028 Re: Help with tube vs. solid alt.guitar.amps Mark J. Rosen 39. 98/05/03 028 Re: One more opin. on Boogie alt.guitar.amps Jasois 40. 98/04/25 028 Re: Jeeeze...over Mesa Subwa alt.guitar.amps Donnie (aka dlm 41. 98/04/18 028 Re: Hey Boogie Bashers... alt.guitar.amps Cindy Chan 42. 98/04/06 028 resonance in Boogie alt.guitar.amps Howard N Ingerm 43. 98/12/22 027 Re: Pawn Shop Microphone#2/2 alt.music.4-track Chris Gieseke 44. 98/12/21 027 Re: Mesa Boog. Problem (Disr alt.guitar.amps Galadriel 45. 98/12/17 027 Re: 7 watt tube amp design i alt.guitar.amps Chris Gieseke 46. 98/12/16 027 Re: 7 watt tube amp design i alt.guitar.amps Chris Gieseke 47. 98/12/16 027 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 48. 98/12/16 027 Re: 7 watt tube amp design i alt.guitar.amps Chris Gieseke 49. 98/12/16 027 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 50. 98/12/09 027 Re: Looking for a "Crunchy" alt.guitar Ryan T. Eberly 51. 98/12/03 027 Re: Why Can't Fender Princet alt.guitar.amps Polfus 52. 98/12/02 027 Re: Best amp ? alt.guitar Polfus 53. 98/11/15 027 Re: Amp Question #2/2 alt.guitar Patrick F. Cole 54. 98/11/01 027 Re: Ampeg reissues alt.guitar.amps Zorro 55. 98/10/20 027 Amp Question rec.music.makers.guit pietrzak 56. 98/10/14 027 Re: Slash's tone on "sweet c alt.guitar steve_2000 57. 98/09/01 027 Re: are there any mesa/boogi alt.guitar fretmeister 58. 98/05/02 027 Re: One more opin. on Boogie alt.guitar.amps Jasois 59. 98/04/20 027 Re: Hey Boogie Bashers... alt.guitar.amps Ned Carlson 60. 98/12/15 026 Re: 7 watt tube amp design i alt.guitar.amps Greg Jones 61. 98/12/15 026 Re: 7 watt tube amp design i alt.guitar.amps Michael 62. 98/11/21 026 Re: solid state amp modifica alt.guitar Zorro_2K 63. 98/11/15 026 Re: Amp Question alt.guitar Zorro_2K 64. 98/09/26 026 Re: VHT Pittbull 45 question alt.guitar.amps Nick V. Flor 65. 98/09/16 026 Re: Who accidtentally "disco rec.music.makers.guit Dan Stanley 66. 98/06/02 026 Re: Mesa/Boogie Subway Rocke alt.guitar.amps John Kuzemka 67. 98/05/18 026 Re: Guitar Sound alt.guitar.effects LJH59 68. 98/05/18 026 Re: Guitar Sound alt.guitar.effects LJH59 69. 98/05/18 026 Re: Guitar Sound alt.guitar.effects LJH59 70. 98/05/06 026 Re: Best 12AX7 for MesaBoogi alt.guitar.amps Zzlacc 71. 98/05/02 026 Re: One more opin. on Boogie alt.guitar.amps NOCTURNAL10 72. 98/05/02 026 Re: One more opin. on Boogie alt.guitar.amps NOCTURNAL10 73. 98/04/23 026 Re: Do Mesa's sound like shi alt.guitar.amps Mark J. Rosen 74. 98/04/19 026 Re: DLM WARNING alt.guitar.amps Cindy Chan 75. 98/11/09 025 Review: Way Huge AquaPus#2/2 rec.music.makers.guit Polfus 76. 98/10/01 025 Re: Effects solution? rec.music.makers.guit Not A Speck Of 77. 98/10/01 025 Re: Effects solution? rec.music.makers.guit Matthew Ivaliot 78. 98/06/20 025 Re: Carvin Amp, are these an alt.guitar.amps Thomas Dewey 79. 98/06/14 025 Re: Carvin Amp, are these an alt.guitar.amps Tellyman 80. 98/04/19 025 Re: DLM WARNING alt.guitar.amps Cindy Chan 81. 98/04/18 025 Re: DLM WARNING alt.guitar.amps dlm 82. 98/04/12 025 Re: Carvin SX100 alt.guitar.amps tlamdude 83. 98/12/16 024 Your Amp History? alt.guitar.amps Rob Caton 84. 98/12/16 024 Re: Clueless Dad seeking amp alt.guitar.amps Galadriel 85. 98/12/16 024 Re: Your Amp History? alt.guitar.amps rousm 86. 98/12/16 024 Re: Your Amp History? alt.guitar.amps flood 87. 98/09/02 024 Re: How to get a good distor alt.guitar Tiptop3313 88. 98/08/31 024 Re: Tube amp for home practi alt.guitar NSR 89. 98/05/30 024 Re: Amp question alt.guitar.effects jeffjean 90. 98/11/09 023 Re: Mic Cullen/Sean Hart Lov rec.music.makers.guit Mic Cullen 91. 98/10/27 023 Re: Amp emulators, speak#3/3 alt.music.4-track Chris Gieseke 92. 98/10/21 023 Re: Amp Question rec.music.makers.guit Mark Garvin 93. 98/09/03 023 Re: Sweet, Sustaining To#2/7 alt.guitar.amps Steve 94. 98/09/03 023 Re: Sweet, Sustaining To#2/7 rec.music.makers.guit Steve 95. 98/09/03 023 Re: Best Overdrive Pedal#2/6 rec.music.makers.guit Kamchak Tuchuk 96. 98/09/03 023 Re: Best Overdrive Pedal#2/7 rec.music.makers.guit Aaron Turner 97. 98/09/02 023 Re: Best Overdrive Pedal#2/7 rec.music.makers.guit Steve 98. 98/07/16 023 Re: Fender Sound #2/5 alt.guitar.amps Steve 99. 98/09/03 022 Re: How to get a good distor alt.guitar ron 100. 98/08/31 022 Re: Silverface.... WHY? alt.guitar.amps Admiral Ballsy
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