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Marshall - SE100 attenuator and speaker emulator

SE = Speaker Emulator. This is a power attenuator and speaker emulator that can handle up to 100 watts. Can simulate 0, 30, and 60 degree mic placement. 6, 12, or 18 dB attenuation. You can unplug the speaker cabinet, and it switches to full soak.

Related to Groove Tubes SEII

xxx

This is a must for a TUBEHEAD. the rare SE100.
It is a power brake for your tube amp (-18dB attenuation)
Its a recording output for your tube amp (1/4 inch balanced, unbalanced and XLR balanced outputs)
Its a microphone output for your live gig!
It's a headphone out for your vintage tube amp.
A reactive speaker load. No speaker required.
2-space rack unit.
If you play live, send your amp right to the board and dial in a quieter stage volume at flaming power tube saturation.

Speaker emulator has choice of combo or closed back emulation.
Speaker emulator has choice of 0, 30, or 60 degree axial response.
Eddie VH and Billy Gibbons have used this or the Groove Tubes equivalent on stage for years.

Marshall paid royalties to Groove Tubes to use the patented circuit. Marshall eventually got tired of paying those royalties and discontinued it.

Excellent condition.

Add $12 for shipping to US destinations. Just try finding another one.

$275 (list $700) sirdanielgrant at hotmail.com, August 15, 2000

Harmony Central - user comments - excerpts:

Rack mounted two unit device. Purchased in 1996 . Used solidly ever since and has not killed my Valve amp (1978 Marshall head) while using it with no speakers at home which is 90% of the time. The Front panel has the following controls attenuation 6db volume brake, 12db volume brake 18db volume brake if both switches are pressed in. Green LED Signal, Red LED Peak, Cabinet type switch, closed/open, Axial response switches 0 degree, 30 degree and 60 degree, Unbalanced level control (for both Compensated and uncompensated levels) Balanced level control, Headphone level, Phones Jack (Stereo only) and On/off LED (Red). Rear Panel has the following Jacks, Loudspeaker input level, Speaker Output (Guitar speaker cabinets only) Line input (Guitar Pre amp etc) Uncompensated output (no speaker emulation) Compensated Output (Speaker emulation) Balanced Output, Earth (ground) Lift Switch and Power Supply in (15 Volt). The SE100 Speaker Emulation System is a device which will allow valve and solid state amps or pre amps to connect to a recording desk/mixing desk, effects processor (by the speaker jack of a amp)and still be able to run a guitar speaker cabinet from the SE100 and connect directly into a PA amp. It is both a studio/home recording device or a live performance device (volume brake [0db, 6db, 12db, and 18db which will reduce a 100 watt amp to a reasonable room volume] not for the faint hearted when connected to a guitar speaker cabinet). So in brief plug in your amp speaker jack into the speaker in on the SE100 and connect a guitar cab if you want from the speaker output on the SE100 or a pre amp out into the Line in on the SE100, this line will not run a speaker cab and then connect to a recording desk, PA etc. The SE100 comes complete with an external 15 Volt AC mains adaptor. The SE100 will in Speaker emulation mode recreate a guitar speaker for direct recording or inputting into a PA and with the emulation mode off run a guitar speaker, it can do this separately or both at the same time through different outputs (compensated [speaker emulation on] or uncompensated [speaker emulation off] one volume control for both running modes. The third output is balanced for connection to balanced line equipment, a separate volume control is provided. A headphone connection is also provided with separate volume control. This unit will also simulate mike positions and speaker type (closed / open backed cabinets). The unit also has both a "Peak/Clip" LED and signal indicator LED to see if it is receiving a signal, there is also a Earth Lift switch to remove earth loop hum. The receiving signal indicator is worth its weight in gold, thinking you have had a major amp breakdown only to find it to be a dodgy lead is easy to detect with the LED giving a Signal In presence. I use a Marshall JMP MRK 2 Master Volume Head 100 Watt lead so have not needed to use it live because of the master volume on the amp, but I have tried it with no problems with both outputs at the same time straight into the PA (Compensated mode) and as a volume brake with 2, 4X12 Cabs (Uncompensated mode). The device did not effect my live sound and the PA side did sound better than the usual Miked up method. Quite frankly I hate the sound of a Marshall that is being driven by the power tubes at ten the sound is hard and all middle, so I back off the main volume to get the crisp sounds. For home recording getting the live guitar sound down on tape with this unit for me just lacks that live ambience I have found that adding a little reverb (which I do not use live)after the unit makes all the difference. The sound is not as rounded as using speakers and a mike but is very near. The plus side is that the depth of sound and definition given to the recording is not dependant on the mike quality and has certainly beefed up the sound and improved the flat response I usally got. A DI has been fitted to my amp some years back it is certainly better than that because of the speaker emulation side and does not drop the amp output volume although I have had good results with just using effects pedals straight into the mixing desk. The Axial response switches which simulates the positions of a Mike from the centre of a cabinet are subtle 0 degrees is warm and the sound hardens through to 60 degrees and seems more remote but it is subtle and a matter of taste. The closed cabinet switch gives a real full sound with plenty of bottom end while the open cabinet gives less bottom end and a flatter response making it sound a little thinner. Have not been able to try it in a real studio but if the chance came up I would take it and hear if there is any difference at that time, the sound engineer should be able to comment on the SE100's performance. I have played both heavy rock/metal and some country with the unit and it has preformed each equally as well. It was a luxury when I bought it and I can get by without it even though my neighbours would properly not, now having had peace and quiet for over a year. I have not been able to try it out against other units like the Marshall DI Box (DRP- 1)which retails at a far lower price but reports to do very much the same without the live volume db brake (PB-1) which Marshall also supplies as a sperate unit, also any other manufacturers equipment. If you can justify the use of it then buy it, it is a top quality piece of equipment and I would now have to replace it if stolen because of the usefulness of the thing. It does give me another method of recording guitars where I can use a Valve head without having to use a trany amp. It has certainly improved the quality of my recorded guitar sound but has I said before, I would like it to sound a little less hard and more rounded but this could be due to many other things like the amp, guitar, recording desk, etc and with a touch of reverb it can be overcome. Very much worth a try out if you struggle to get that live guitar sound also try a SM-57 mike if you get the chance. The manual is just a two sided pamphlet which describes the various features one side and a diagram of the usage on the back, also printe d on the device itself is the schematic of the functions and routings. The Manual must be read to know what impedance to set the amp at 8 Ohms, although it does not say what impedance if using a speaker cabinet as well.


DejaNews query: se100 or se-100 or "se 100"

Messages 1-42 of exactly 42 matches for search "se100" "se 100" "se-100":

        Date   Scr        Subject                     Newsgroup           Author

   1. 96/05/17 027 FS:Marshall SE100 Emulator   alt.guitar            scurry         
   2. 97/12/02 026 $$$$ quick $$$$$$       #2/2 rec.music.makers.guit little jimmy wi
   3. 98/12/28 022 Re: Op: Lexicon Signature 28 alt.guitar.amps       Paul Brannon   
   4. 98/12/29 021 Re: Op: Lexicon Signature 28 alt.guitar.amps       Michael      
   5. 96/07/20 021 Re: Recording GUITAR direct? rec.audio.pro         Marshall Jay   
   6. 98/02/21 019 Re: Marshall SE100 Speaker E rec.music.makers.guit Artful Dodger  
   7. 98/02/20 019 FS: Marshall SE100 Speaker E rec.music.makers.guit Dash Of        
   8. 98/12/16 018 Re: 7 watt tube amp design i alt.guitar.amps       Michael      
   9. 98/12/12 018 Re: proper dummy load on out alt.guitar.amps       Michael      
  10. 98/07/08 018 Re: Advice on Cabinet Simula rec.audio.pro         Greg House     
  11. 98/07/08 018 Re: Advice on Cabinet Simula rec.audio.pro         Dan            
  12. 98/05/14 017 Re: Best sound: MIDI preamps alt.guitar.amps       TeRRoR         
  13. 98/05/14 017 Re: Best sound: MIDI preamps alt.guitar.amps       Dutch          
  14. 98/05/13 017 Best sound: MIDI preamps or  alt.guitar.amps       Kurt Penner    
  15. 98/04/13 017 Re: Direct Guitar Recording  alt.music.4-track     chumbuckét®    
  16. 97/05/11 017 Re: Marshall se-100          alt.guitar.amps       Timothy J. Rich
  17. 97/05/09 017 Marshall se-100              alt.guitar.amps       Raimund Strehl 
  18. 98/10/27 016 Re: Amp emulators, speak#1/3 alt.music.4-track     Michael      
  19. 98/10/27 016 Re: Amp emulators, speak#1/3 alt.guitar            Michael      
  20. 98/10/27 016 Amp emulators, speaker sim,  rec.audio.pro         Michael      
  21. 98/07/08 016 Re: Advice on Cabinet Simula rec.audio.pro         Chris Gieseke  
  22. 98/02/25 016 Re: Hot Plate-PowerBrake-Pow rec.music.makers.guit Paul Brannon   
  23. 98/02/20 016 Re: Power Soak               alt.guitar.amps       Paul Brannon   
  24. 98/10/27 015 Re: Amp emulators, speak#1/2 rec.music.makers.guit Michael      
  25. 98/10/27 015 Re: Amp emulators, speak#1/3 alt.music.4-track     Chris Gieseke  
  26. 98/10/25 015 Re: Low-watt power-tube devi alt.music.4-track     Michael      
  27. 98/01/14 015 TRAINWRECK AIR BRAKE II      alt.guitar.amps       THOMAS W. WYSKI
  28. 98/01/14 015 Re: TRAINWRECK AIR BRAKE II  alt.guitar.amps       THOMAS W. WYSKI
  29. 97/01/25 015 Re: headphone outs on power  alt.guitar.amps       Ted Matsumura  
  30. 96/07/05 015 Re: Recording GUITAR direct? rec.audio.pro         scurry         
  31. 97/01/25 014 Re: headphone outs on power  alt.guitar.amps       Duncan Markley 
  32. 96/12/03 014 Best device for recording di rec.music.makers.guit Martin Schmacht
  33. 96/12/03 014 Re: Best device for recordin rec.music.makers.guit Peter Terhoeven
  34. 95/12/07 014 Re: Speaker emulators for gu rec.audio.pro         Greg House     
  35. 97/02/19 013 Re: Power Soak Question      alt.guitar.amps       Jon Purdy      
  36. 96/07/05 013 Re: Recording GUITAR direct? rec.audio.pro         Tom Pagan      
  37. 96/12/10 012 Re: Best device for recordin rec.music.makers.guit rosweleast     
  38. 96/04/23 012 Need help with system purcha rec.audio.pro         James Steele   
  39. 96/04/21 012 Advice needed on equip purch rec.audio.pro         James Steele   
  40. 96/01/04 012 Re: Powersoaks THD & Mar#1/2 rec.music.makers.guit jaybee         
  41. 96/01/04 012 Re: Powersoaks THD & Marhsal rec.music.makers.guit Randall Aiken  
  42. 95/05/05 011 Re: Please tips on direct re rec.audio.pro         Greg House     


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